Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Tuesday, October 30, 2012

dark, dark, love, love,

reak...
Crash...
BOO!

Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.






I'm 31 years old, and I still remember the day I found this book in my school library when I was seven. I was enamoured, and checked it out numerous times before another student lost it. I was a bookworm as a child, and this book still stands as one of the truly unforgettable books I read in my youth. I believe it is the powerful imagery of the book that has stuck with me all these years, and made it impossible for me to forget.

Granted, it is not for everyone, and some children might benefit from reading it at an older age. I remember being slightly perturbed by some of the ideas and nuances presented in the book. However, I doubt highly that it would truly disturb any child that was mature enough to approach the book thoughtfully.

   

Monday, October 29, 2012

books we love



A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages–a literary parade of phantoms and shades to add to the revelry of All Hallow’s Eve.

From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.

Sunday, October 28, 2012

scare the pounds off


Science is focused on the really big-picture problems right now. Male pattern baldness. Dropped calls. The mystery surrounding the success of mediocre sitcoms and the failure of excellent sitcoms. And weight loss, as in, how to do it but not do it simultaneously. It's what you might call a paradox, or whatever. The latest and greatest scientific data dovetails nicely with Halloween totally not on purpose — people can lose a lot of weight if they just sustain significant jolts to the heart, like the jolts one might find, say, in really effective horror movies. That's right — people can lose weight just by sitting by and having the calories scared out of them.

A study of ten people who really need to see more horror movies revealed that the sudden, jolting scares in horror movies are very effective at raising a viewer's heart rate, which, in turn, helps burn calories (that is unless, of course, you've seen tons of horror movies and are hip to the medicine cabinet mirror gag). Researchers at the University of Westminster recorded participants' heart rate, oxygen intake and carbon dioxide output, discovering that the number of calories used increased by on average a third during scary movie screenings.

Obviously, scariness is a matter of taste, so maybe High Tension doesn't quite give you that jolt of adrenaline you'll need to actually burn any calories while you literally do nothing except blink and maybe smoke weed because why else are you watching horror movies all day in your bathrobe, hmm? The study found, though, that, on average, participants responded most intensely (calorie-burning-wise) to the following movies:

The Shining (184 calories)
Jaws (161 calories)
The Exorcist (158 calories)
Alien: 152 calories
Saw: 133 calories
A Nightmare on Elm Street: 118 calories
Paranormal Activity: 111 calories
The Blair Witch Project: 105 calories
The Texas Chain Saw Massacre: 107 calories
[Rec]: 101 calories

If you're a suggestible, easily startled person who has decided for some reason to lose weight but thinks dieting and exercise are for tools, then these movies will probably (almost definitely) do the trick. If you're not so suggestible, then maybe you should think about strapping a meat vest to your person, walking deep into the woods, and waiting for a friendly bear to scare you. You and the bear can then share a nice laugh over a hard-earned pot of honey.


Friday, September 28, 2012

Wednesday, September 12, 2012

from the dust returned

(If you loved The Halloween Tree, then you MUST rush out and buy this book, you wont forget it, I promise to jack.)  

Ray Bradbury, fantasist extraordinaire, needs no introduction. His novels and short story collections count among the best remembered: Something Wicked This Way Comes, The Martian Chronicles, The October Country, Fahrenheit 451, and so on. From the Dust Returned, has been hailed as a return to his former stylistic pinnacle. It spans the length of Bradbury's illustrious career, stringing together stories about an unusual misfit "family" of Halloween creatures -- a book that Bradbury hoped would...
"become a sort of Christmas Carol idea, Halloween after Halloween people will buy the book, just as they buy the Carol, to read at the fireplace with light low. Halloween is the time of year for story-telling... I believe in this more than I have believed in anything in my writing career. I want you [Charles Addams, the illustrator] to be in it with me."
The overarching plot is fairly simple: a "family" -- or, rather, a group of societal misfits like loping werewolves, living gargoyles, ghosts who starve in a world without belief, the dead who must be unburied to live life backwards, the voice of a creepy creaky Theban door hinge, vampires and other winged creatures of the night who can no longer fly at night but must etch out a new meaningful existence, spirits that possess other bodies in search of the body that would love them, and Egyptian mummies who can bestow knowledge of the dead -- congregates every now and again at a haunted house and decides how to define who they are and what they should do, pausing to tell individual tales of the family members.
The strength of the narrative is the story of the rejected seeking out people with similar problems or powers to build their own family, catalogue and define it. Interestingly, as in real-life houses and churches and other places of congregation, the House becomes a symbol of the family itself that, when threatened by an outsider who wishes to expose and burn down the house, the family itself is threatened. One might view this as the story of the reading public in general, the genre in particular, or whatever group that feels isolated from the mainstream of society. The individual story sub-plots/sub-themes ask the mainstream: why not battle unbelief with the imagination of a child -- the life elixir of the undead? Why not accept death as another process of life? 

Like a Robert Frost poem of perfect rhyme and meter, the light tone in From the Dust Returned can hide darker dealings for a careless reader. Timothy, the young mortal and family cataloguer who wants to join the immortal folk one day, suggests:
"we have someone who could make distribution. She can search the country for souls, look for empty bodies and empty lives and when she finds great canisters that are not full, and little tiny glasses that are half empty, she can take these bodies and empty these souls and make room for those of us who want to travel."
The implications are tremendous. Who and what are empty lives? or half-lives? Are we living a half-life whose body might be better served for immortal souls to travel in? 


 Alfred Bester puts Bradbury's accomplishment best in his essay "The Perfect Composite Science Fiction Author" from Redomolished:
"Mr. Bradbury is for the simple life... [H]e seizes upon a very small point... and develops it with masterly style into a telling incident. Incident, not drama, is Mr. Bradbury's forte... [A] very little goes a long way... One becomes quickly surfeited with the subtle nuance, and begins to require more robust fare."
This is just to say that Bradbury's cool plum of prose, while delicious, should be savored one or two chapters per sitting. 

 
RIP Mr. B

Friday, September 7, 2012

The Possession...eh

Anyone else getting tired of bad horror movies? What is up? Guess they bank on us just going anyway, knowing we wont likely leave once we sit down in the theater. 

 
The script, credited to Juliet Snowden and Stiles White, adheres so closely to formula that it's possible to predict not only which characters will end up dead, but in what order.
New York Post
  There may be need for an exorcist, but the power of Christ isn't going to compel the Jewish demon wreaking havoc in this competent but shopworn horror film.
Entertainment Weekly
Director Ole Bornedal doesn't add a single idea of his own.
Chicago Reader
Another horror movie about a little girl possessed by a demon? Seriously?
Newsday

Thursday, September 6, 2012

Paranorman


So one thing we love to do here at October Boys is watching a good horror flick, and that doubles for horror stop-motion. So needless to say we had been anticipating Paranorman for like ever. We thoroughly enjoyed the film, although we felt it got a wee slow near the end, and did wish the witch had been a bit more gnarly, but all in all, it was another classic from Laika.  

Below are some of the swag that we got, and didn't get, from the film. Drool time!


Whhhhhaaaaatttt????